Stephanie and her cameraman David arrive at Anna’s ad agency with his camera equipment. Anna is less than thrilled that David has brought the camera again. Steph says he can’t get his master’s without it. Anna doesn’t feel like being filmed today, but agrees to get it over with if he doesn’t get in her way. Anna implies that they have quite a few prospects and things are starting to rock and roll. She tells David to cut when he turns the camera on her. He agrees, but Steph suggests they turn it on when Anna feels more comfortable. Anna insists that she’ll never feel comfortable with the camera on.
David later turns the camera back on and motions for Steph to get a conversation going with Anna. Steph reluctantly asks what Anna’s reading. Anna claims it’s something stupid, entitled Ten Ways to Get Your Man Back. She hypothetically asks Steph why would a woman want a man back if he either walked out on her or if she kicked him out. “Either way he’s an idiot, and no self-respecting woman should want him back,” she affirms. Steph questions if the ten ways are ten good ways to get a man back. Anna insists that she can come up with ten others that would really work, as she got Tony back when she wanted him, then threw him away. Steph asks Anna what her ten ways to get Tony back would be. Anna states the standard, which is playing hard to get. “How about not returning his phone calls?” she suggests. Steph wonders how she would ever talk to him. Anna predicts he would come slinking back to her front door, then reminisces how she and Tony used to eat Chinese take-out picnic style. She suggests the next way to get your man back would be dating someone else. Steph comes up with slashing his tires, which Anna refers to as a good one. An amused Steph speculates that if she treated her boyfriend like that, then he’d never talk to her again. “Are you talking about Max?” assumes Anna. A starry-eyed Steph confirms this, then changes the topic back to Anna and Tony. Anna claims that Tony can go jump in a lake for all she cares.
Steph encourages Anna to tell her the rest of the ways she can get Tony back. “Why would I want him?” questions Anna. Steph surmises that Anna cares for him. Anna says just a little, but claims she doesn’t want him back. However, if he came into her office sulking and pleading to his knees, she’d consider it. Steph wonders what if he just walked in without pleading, as he and Anna know each other so well. Anna counters that Tony doesn’t know her at all and has no idea how to treat a woman. She admits that she does like Tony, but being with him can be so frustrating. “His skull is as thick as a brick,” chuckles Anna, who complains that Tony doesn’t know what she wants. Steph suggests that if he doesn’t know, then she should just tell him. Anna predicts that she would look like a fool, then confesses that she misses Tony. Steph advises her to tell Tony how she feels, but Anna refuses and suggests they get back to work. Anna admits she has no idea how to compete with Tony, as his company is doing so well. Steph offers to go around and spread out her business cards. Anna suggests taking a break.
Morgan and Mark arrive at DiMera Advertising with his camera. Mark asks Tony permission to shoot today. Tony agrees, but tells him not to get in the way. A rather glum Morgan doesn’t think she can come up with any ideas today. Tony asks her what’s wrong and fetches her a glass of water. Morgan is reluctant to spill her guts, as she knows that Tony’s a busy man. Tony assures her that he always makes time for his employees or interns and encourages her to consider him a friend. Mark catches the scene on camera as Morgan recalls how awful her parents’ divorce was and the drama has only gotten worse. She reveals that her father, Paul Hollingsworth, is the field director for the customs department and has been accused of taking a bribe. Morgan continues to share how her mother comes from money and her grandparents hated the idea of her mother and father marrying in the first place, as they’ve disliked Paul from the start. At the divorce, her mother cut her father off completely, which included hiring a big shot lawyer in the divorce case and now her dad has to pay child support and alimony even though he’s broke. Tony asks how her relationship with her father is now. Morgan admits that she loves him, but she’s also mad at him. Tony puts his arms around Morgan and comforts her. The moment is all caught on camera as Kate arrives. Morgan exits the room as Kate wonders if the camera has to do with Morgan’s internship, which Tony confirms. Kate wants to know if Tony has anything for him. Tony implies how his idea has nothing to do with advertising.
Tony later shares an idea with Kate which involves huge towering flames, then in walks a sultry and beautiful creature. “She holds up a bottle and says simply, ‘Try me,’” conveys Tony. Kate refers to him as a little devil and loves his idea. He leans over his desk and notes how wonderful Kate smells, then observes how beautiful her eyes looki. Kate assumes that he’s coming on to her, but Tony just notices beautiful things for a future campaign. She admits that she likes what he’s done with her line. Tony encourages Morgan to take the rest of the day off when she re-enters. She thanks him. Mark asks if he has to go, too. Tony reminds him that his project consists of documenting a day in the life of Morgan Hollingsworth, not Tony DiMera. He then suggests that Mark just leave his camera equipment there so he doesn’t have to pack it away and lug it out tomorrow. Mark turns it back on and leaves it behind. After Morgan and Mark exit, Tony gives Kate a brief overview of Morgan’s family issues. Tony then invites Kate to have a nice meal with him if she’s free this evening.
Tony arrives at Anna’s firm, but Anna’s not around. He notices the camera and wonders what she’s been up to. He turns the camera on and witnesses the previous conversation which Anna and Stephanie had about him. He appears amused by the scene, but is moved when he hears Anna admit that she misses him.
